Cosplay Conversation: Mandy Schnecke

 

Name: Mandy Schnecke

Location: Chicago, Illinois

Facebook: Dins Forge Cosplay

Instagram: @dinsforge

 

Tell us about your cosplay. What was your inspiration?/why did you choose this character?

This cosplay is a character named Ophelia from the Nintendo series Fire Emblem: Fates! For this costume instead of doing her default outfit, I decided to create her reclassed Sorceress outfit from the cipher card because I wanted to challenge myself! I made a couple of modifications to the design including the color of the characters hair and the crown. In the game, Ophelia’s father is a prince from another kingdom so I chose to make my wig blue instead of blonde, and I used chose to give her the Crown of the Exalt as a throwback to that lineage.

I chose to cosplay Ophelia because she and her father Owain are my favorite characters in the series!

How long did it take to make your Cosplay?

I would say that it took me about a solid month to put together Ophelia.

 

What was your biggest challenge?

Fantasy costumes can often be a challenge to bring to life because they aren’t really created with practicality in mind, they’re just made to look cool. So for me patterning was the biggest challenge, especially when it came to the body suit. They were actually created to be like a pair of legging that extended up my torso and tucked under the band of my bra. A lot of time went into drafting them so that there were as few visible seams as possible. Since power mesh can be delicate to work with, one of the other interesting challenged of the bodysuit was top stitching the pleather diamonds on without ripping the mesh. They actually had to be made twice since I accidentally tore a hole in the mesh initially trying to top stitch them down.

What was your budget? Approximately how much did you spend?

I went into this project knowing that I wanted to compete with it so I didn’t give myself a budget for this project. All of the elements of the combined (two wigs sewn together, over 250 individually set Swarovski crystals, resin embellishments, feather trim, etc.) I spent around $550 creating my costume.

 

What special techniques did you use?

One of my favorite techniques is satin stitching, which I was able to use in quite a few spots on the costume including the veil, hip guards, tabard, and collar.

What was the most satisfying about making this Cosplay/What made you proud?

To me, one of the most satisfying parts of this costume was the cape. The base is a stiff suiting that started as a half circle that I modified to look more like wings. From there I sewed down lines of feather trim on both the inside and the outside of the cape.

 

If you had to remake this Cosplay, what would you do differently?

I would completely redo the collar piece. I wasn’t really satisfied with the way it sat and I would have liked to add some additional applique on the front, since everything I added on the back was covered by my wig.

 

About Cosplay in general:

How often do you Cosplay? 

Very frequently. Right now I attend about 5 conventions a year in addition to doing location shoots.

How many cosplay do you do?

Oh gosh haha! Between the ones I’ve made and the couple that I’ve bought, about 50.

 

Series: Bravely Default Characters: Ringabel (myself) and Edea Lee (Grace Somerset ig: rage.and.roses) Photographer: Anna Lam

What do you want to make next?

The next big costume I’m working on is a character named Lydia from the podcast The Adventure Zone!

 

Favorite cosplay moment? 

One of the most special cosplay moments for me happened at Anime Central 2017. I’ve been a huge fan of the book series Percy Jackson and the Olympians since I was in middle school and I managed to organize a group of friends to cosplay it with me. We had about 18 characters from Camp Halfblood, 5 from Camp Jupiter shirts, and 3 Hunters of Artemis. All of the camp shirts were custom designed and made using heat transfer vinyl and cut out using a Silhouette. This series meant a lot to me growing up, and it made me unbelievable happy to have so many of my close friends get together to make this dream group come true.

 

Favorite fandoms to follow?

Fire Emblem will always have my heart, but right now I’m very in to The Adventure Zone and My Hero Academia!

 

What sewing machine do you sew on?

I sew on a Husqvarna Viking Rose 600, and my serger is a Janome New Home.

 

What materials do you like using?

I love working with peachskin, matte satin, and velvet.

 

What materials do you want to try?

I’ve always wanted to try working with leather.

 

What materials do you wish were easier to work with?

Velvet haha. I love it but it isn’t always the easiest to work with.

 

What techniques are you dying to learn?

I’d like to try more projects that involve pieced seams in body suits. I got to work with this technique while I was working on the under suits for a Voltron cosplay, but I would love to try more complicated designs in the future.

Series: Bravely Default
Characters: Ringabel (myself) and Edea Lee (Grace Somerset ig: rage.and.roses)
Photographer: Anna Lam

All of the profession photos are taken by Anna Lam, here are her pages:

Website https://www.bananzers.com/

Facebook https://www.facebook.com/bnnzrs/

Instagram https://www.instagram.com/bananzers/

 

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Cosplay Conversation: Beth Grimes

Name: Beth Grimes

Location: Minneapolis, MN

Facebook: facebook.com/silentbeth

Instagram: victrolavixen

Twitter: @victrolavixen

Cosplay Affiliations: Probable COSplay

 

You have an unusual twist when you cosplay. Tell us about it.

I have made detailed screen-accurate cosplays, but I love doing mashups and puns.    It started last year with Purple Rey (a play on Prince’s Purple Rain and Rey from Star Wars: The Force Awakens).   It was such a hit I decided to follow it up with Garth Vader (Garth Algar from Wayne’s World dressed as Darth Vader), then this year’s Edgar Allan Poe Dameron (The famous author plus Poe Dameron, dashingly handsome pilot from Star Wars: The Force Awakens).   I have a list of more ideas to tackle as I get the time and resources!  I can’t wait to do more!

 

What made you choose to cosplay puns?

I am a nerd and a comedian.  I love combining those two worlds.   I’m a circus clown, and as part of that community my friends and I are constantly coming up with visual gags/jokes to use in shows or to amuse ourselves.    Essentially this is a continuation of a thought process from clowns and comedians from way back- a hundred years ago or more.  Circus clowns during the 19-teens through the 1960s would have made costumes like this based on current events or celebrities at the time to get laughs as they strolled down the track during parts of the show.  They were called “walkarounds”.    I wouldn’t use them in shows today but they are GREAT for cosplay at cons.  Pun cosplay also allows me to be more creative and it gets people’s brains going when they see those types of cosplay.  I like making people think, and I love making people laugh.  Sometimes it takes a minute for them to get it, but the reaction is ALWAYS worth it.

Tell us about your cosplay. What was your inspiration?/why did you choose this character?

I wanted to come up with another pun costume for this year’s CONvergence.  I decided Edgar Allan Poe Dameron was the funniest sounding one on the list and I should make it happen.

 

How long did it take to make your Cosplay?

I procrastinated so I frantically put the costume together in under 2 days.  I had all day Thursday to paint and find pieces, then Friday late night after I got home from day 1 of the con, then Saturday morning to finish.

 

What was your biggest challenge?

There were a few challenges- Coming up with the makeup and figuring out how to make the oxygen hose box on the front.  I found a plastic electronics case at a surplus store and covered it with foam core to make the boxy shape and the buttons.   I studied photos of Edgar Allan Poe to get the face right.

 

What was your budget? Approximately how much did you spend?

I try to spend as little as possible when doing cosplays.  The most expensive part was the flight suit.  (I had to buy one due to time or else I would’ve sewn one) The ensemble cost about $80.

 

What special techniques did you use?

I was able to dismantle a padded army surplus belt and spray paint the pieces to resemble Poe Dameron’s flight vest.  To make the vest I hemmed a winter puffy vest for the base.  I didn’t count on the vest being filled with down.  I am used to cotton batting.  Upon the first cut the down showered out of the vest like confetti.  Our cat was quite amused.  I, on the other hand, still had wet spray paint on my arms and hands and they were now covered with tiny white feathers.  Never, ever, cut open a down vest.

 

What was the most satisfying about making this Cosplay/What made you proud?

I decided to go with greyscale makeup since it would make the character more recognizable.  It adds to the melancholy and goth look.  Without the greyscale I’d just look like Ron Swanson in a flight suit.  I didn’t have time to do any makeup tests, so I woke up early Saturday morning hoping my makeup would turn out in the first go.  At first I glued on a mustache but when I went to trim it I cut too much off.  I decided to draw on the mustache.  I’m very pleased it turned out the way it did!

 

If you had to remake this Cosplay, what would you do differently?

I am in process of re-making the vest.  The original vest was very stiff since the front panels were originally a belt.  I need a vest that allows for more movement.  I also intend to incorporate more Poe references than just The Raven, although the BB-8 Raven is my favorite part of the costume.

About Cosplay in general:

How long have you been doing Cosplay?

My first cosplay was the Mike Meyers version of Cat in the Hat at Wizard World 2009.

 

How often do you Cosplay?

Not nearly as often as I want!

 

How many cosplay do you do?

I currently do Mad Hatter (Johnny Depp version), Floyd Pepper (The Muppets),  Professor Trelawney (Harry Potter), Purple Rey, Garth Vader, and Edgar Allan Poe Dameron

 

What do you want to make next?

I have a list of ideas.  *HINT* My next pun will be an homage to my favorite silent film comedian and an iconic 1980s movie.

 

Favorite cosplay moment?

Last year, as Purple Rey, and my boyfriend as Purple Ren (Kylo Ren),  people who knew Prince and worked for Prince came to us and told us their stories.  It was an amazing experience!

Favorite fandoms to follow?

Star Wars, Star Trek, Borderlands, Slapstick Comedy

 

What kind of sewing machine do you use?

Whichever one runs!  Currently I’m using a Sears Kenmore.

 

What materials do you like using?

PVC, Cardboard, Craft Foam, Plasti-Dip

 

What materials do you want to try?

leatherwork and 3D printing (getting a printer this Fall!)

 

What materials do you wish were easier to work with?

SPANDEX.

 

What techniques are you dying to learn?

I will be learning to make my own special effects makeup prosthetics very soon.  I also just learned to ventilate so I need to practice some wig-making!

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Cosplay Conversation: Christine Diep

Name:  Christine Diep

Location: Chicago, IL

Website: www.youtube.com/user/shiningpolaris2008

Facebook: theshiningpolaris OR ShiningPolaris (Personal)

Instagram: shiningpolaris

Twitter: @shiningpolaris

Other: Facebook Event Page – CosplayersWithoutBanners

 

 

Tell us about your cosplay. What was your inspiration?/why did you choose this character?

I am a HUGE Game of Thrones fan.  Sansa is one of my favorite characters.  She, in my opinion, has the prettiest outfits.  I just fell in love with her “crow” dress because it signifies her change into a little girl to a woman that is starting to understand the “Game.”

 

How long did it take to make your Cosplay?

This took me about a month to make.  This costume was also made as my entry to Dragon Con Cosplay Contest!

 

What was your biggest challenge?

Hand sewing each feather and bead into the dress!  Feathers were worse because they either broke or didnt look right after touching them!

 

What was your budget? Approximately how much did you spend?

My cosplay really have no budget!  I love cosplays and spend way to much money on making them.  This probably cost me around $100.00 which isn’t bad at all.

 

What special techniques did you use?

Not really any special techiniques.  Basic sewing on the dress and cape.  But I hand sewed everything else such as the feathers and beads.

 

What was the most satisfying about making this Cosplay/What made you proud?

Just knowing that I did it and it was accepted to DragonCon Contest which is super hard to get in!  Also looking at it, it was well made and fit.  It made all the Baelish cosplayers jealous!

If you had to remake this Cosplay, what would you do differently?

Maybe redo the beading on the bottom of the dress.  I did it in a hurry so it is coming apart.  My necklace too.  That piece was also done last minute.

 

About Cosplay in general:

How often do you Cosplay?

I been cosplaying since 1996.  I now do it almost every single week!

 

How many cosplays do you do?

Last year for an example I wore 50 cosplays!  Maybe made 30 new ones!

 

What do you want to make next?

I enter the Crown Championships every year which is a huge extremely difficult costume contest to enter.  I am working on Rocket Racoon for that one.

 

Favorite cosplay moment? 

I won Best Seamstress at the Crown Championships in 2015!

 

Favorite fandoms to follow?

At the moment I love Doctor Who, Flash, Gotham, and Game of Thrones

 

What sewing machine do you sew on?

I actually won a Bernina 830 from the Crown.  But I use a regular brother from Costco!

 

What materials do you like using?

I don’t really have a favorite?  I try to buy cheap stuff that looks the closest to what I am making!

 

What materials do you want to try?

Worbla one day!

 

What materials do you wish were easier to work with?

Worbla and foam!

 

What techniques are you dying to learn?

Worbla

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Exclusive Interview: Game Of Thrones Principal Costume Embroiderer, Michele Carragher

As a Film and Television costume embroiderer, you often work on garments after they have been already constructed.  How scary is it to work on the finished garments directly? 

On Game of Thrones I am given a huge workload for a single hand embroiderer, it is a full on Job where deadlines are always looming, most of the time you are working long hours in order to get the job done. The main thing you have to learn, which is not solely exclusive to working on a production like Game of Thrones, is to adapt your process to suit the deadlines that you are presented with for each design that you are asked to create.

As an Artist I have never liked to dampen down my ambitions for any of the designs I have been asked to create, and I have always been driven to create the best work I can even in a limited timescale, so it is a constant battle for me to be highly creative as well as practical in my approach to my work. One solution I have developed to aid me to achieve my ambitions within my work is for me to start the embroidery separately to the costume on silk crepeline or organza, creating a kind of motif that I can then apply to the costume and work on it further if needs be.

When I start my embroidery I will draw my design onto tracing paper and pin it to the costume or costume toile (prototype) to work out the flow and scale of the design required. The reason I quite often start off on the design on some organza, working separately to the costume, creating a kind of motif that I will then apply to the finished garment, is because the costume is usually still being made and there isn’t time to sample and plan the embroidery to fit to the pattern pieces before the construction of the costume.

The way I approach my embroidery, as I work on it, is as if I were drawing or painting using threads and beads instead of pencil and paint and the design will evolve organically as I work on it.

The reason for me using silk crepeline is that it is very sheer and can be dyed to match the costume, so that when I stitch the embroidered motif onto the garment the base fabric of the silk crepeline becomes almost invisible.

So to answer your question, no I am not scared to work on a finished garment, it doesn’t bother me, it is a necessary part of the process, there is not a right or wrong way to decorate or embroider you just have to find the best solution to each particular situation and for me by creating the initial stages of my embroidery on organza/silk crepeline it means I can be more ambitious with the work that I want to create and have less pressure on myself as I am not holding up the Costume Makers process.

 

As the Game of Thrones embroiderer, the embroideries on the costumes always seem to tell a story about the character in some way.  How do you come up with the designs we see on the show?

Whether you are working on a Contemporary, Period or Fantasy TV or Film Production a costume is always a fundamental devise to present a character’s personality to an audience. Each costume with its cut, colour, style, and small details, is a very important narrative tool that can express much to a viewer. One of the smaller details of a costume can be that of the embroidery, and my work as an embroiderer entails visualizing and capturing what the Costume Designer on a production wants for a specific characters costume, I myself have to understand what is appropriate in order to reveal and portray each characters personality.

I have always enjoyed incorporating hidden meanings and metaphor within my designs for a character’s costume especially on Game of Thrones. I will place imagery mostly naturalistic such as flowers that I have researched and have found them to add some meaning to the personal narrative and personality of a character that I am working on. For example for Sansa’s Wedding Dress that was featured in Season 3, I embroidered a band that wrapped around the dress and I incorporated pomegranates interweaving and growing throughout the design. The pomegranate has many meanings, a symbol of life and death, and of fertility and marriage.  My use of the pomegranate was to represent a meaning that it was the death of Sansa’s freedom, virginity, and her fertility now was to be devoured like a ripe fruit by her enslavers the Lannisters.

I mostly create embroidered decoration for some of the principal female cast, such as on the dresses for Cersei Lannister, who was an obvious candidate for some decoration, her embroidery could be quite rich and decorative given her status. Regarding showing her personality within her embroidery designs, one of her first costumes I embroidered was her blue bird dress, the embroidery reflected her position at the time when we are introduced to her in Season 1, she is a beautiful woman with a hidden desire for power and wishing to be regarded as an equal in the male dominated world she inhabits. At that stage she lives in the shadow of her husband King Robert Baratheon, who holds power over her and the Kingdom, having this imagery of a bright colorful bird on her costume helps to belie Cersei’s intention of power under a soft unthreatening feminine look.

After Robert’s death Cersei and her family the Lannisters take over power when her son Joffrey becomes the King, at that point Cersei grows in position and strength and starts to reflect this new authority and loyalty to her family by wearing the Lannister Sigil of the Lion on her costumes more predominantly. She presents a stronger more powerful look that has a regal structure and adornment, so the embroidery on her costumes was a useful symbolism to express her personal script narrative, following her status transformation from a weaker woman to a more powerful one.

My process when creating an embroidery design for a costume starts by having a meeting with the Costume Designer Michele Clapton who will have illustrations, moodboards, colours and fabric swatches of the costume that I will be creating a design for. We may discuss a character’s back-story, their traits, their personal narrative within the script and this will all go towards influencing my design.

After my initial conversation with Michele I will then go away and research in relation to the piece I am creating, this usually involves me looking for imagery to inspire me, either by visiting museums, looking through historical costume reference books or just looking on the internet.

For the next stage I will need to start sourcing suitable materials that are suitable for the design and will help to portray the character’s status and personality. I will then start with some sketches of a design, followed by creating samples and then the embroidery will develop and evolve from there.

 

Your tutorial on the Dragonscale smocking that has been used on Danerys’ costumes throughout the show is very popular with cosplayers.  How did you think of the smocking as a way to represent this character?

It was in Season 3 when I started to be involved in embellishing Dany’s costumes, this was when Michele Clapton wanted me to incorporate a dragonscale like texture into her costume which would grow and become more pronounced as she developed in power and strength.

To create the desired look for these dresses I began by doing some samples experimenting with beads, stitches and smocking, and the North American smocking was chosen as the base for the texture with some lock stitch and mesh wire highlights.

 

What is your take on cosplayers who try so hard to faithfully recreate garments that you have worked on for the show?

It’s fantastic and it is always a joy to see them in their costumes, showing off their passion and attention to detail. I am always amazed by how much effort they put into all aspects to create the character they want to portray.

 

Do you ever get sent any cosplay photos from cosplayers who dress up as characters from the show?

Yes I have received many, it is really a joy to see them. When I see their work I am always mindful that I may be witnessing the virginal careers of many future Costume Makers and Costume Designers, so it very encouraging to see the abundance of talent out there, talent who may wish to use their skills further, possibly contributing to the future of the craft of Costume within the Film and Television industry.

 

It was quite nice to see Sansa embroidering her clothes in Season 6, which was revealed to be a Direwolf sigil.  Did you happen to give any tips for Sophie Turner (the actress) on how to embroider?

No I haven’t, there is no need to, as you know Sansa is an amazing Embroiderer, she was taught by an excellent tutor Septa Mordane, I am so glad she kept up with the noble craft even after the death of Mordane who was killed off in Season 1. I suppose Sansa has had many hours to practice her embroidery over the Seasons when she has been locked away by various nasty people she has stayed with, or married. One thing that amazes me is how she gains access to all her materials for her embroidery when she is stuck in a far-off land, locked away, maybe there is good Online shopping in Westeros, delivered by Raven couriers, well that is what I am guessing.

What kind of formal training did you have in embroidery and stumpwork?  Are there any resources you could give cosplayers to learn these traditional techniques?

I’ve never had any extensive education in embroidery, my skills in sewing were forged at an early age, being taught some basic stitching by my Mother. The first major manifestation of using embroidery as a creative medium was while I studied Fashion Design at college, a lot of the designs I was conceiving there I wanted them to have a sculptural presence, so I started to develop a passion for Stumpwork and in order to get the desired look I invested much time into learning skills to aid me, such as embroidery, millinery and knitting.

After leaving college I worked in Textile Conservation, repairing and restoring historical textiles for private collectors and museums, specializing in hand embroidery, this is where I would say I truly honed my hand needle skills, and apart from learning different techniques and stitches, I absorbed inspiration from all the beautiful historical textiles that passed through my hands.

My advice for Cosplayers are interested in learning skills of embroidery is simply learn by doing, start with something easy, try out different stitches, some are easier and quicker to do. You may find it easier to copy some existing embroidery you like and then progress towards designing your own, you will develop your own style naturally.

Some threads are easier to use than others so experiment, metallics can be tricky and need more patience, you just need to practice, as with anything, and a lot of the accuracy of technique is in the control of the entry and exit points of the needle, you will gradually use most of your fingers on both hands to feel the needle and thread as you work.

There are too many books to list on embroidery but if you have one good basic one that shows you all the stitches this can always be referred to and then if you find a particular style of work you like, then look to specific books on that technique, and there are also lots of Online Video Tutorials out there that can be helpful if you need to see a stitch or technique in practice.

What was your biggest costume challenge on the show?  How did you solve it?

The wonderful aspect of working on a production like Game of Thrones for me is that it has given me the opportunity to experiment and develop my craft, trying new ideas and processes each season. Each design I work on can pose a challenge in some way, either technically or in sourcing the right materials in order to create a suitable piece for a particular character. But the main angst is always will I be able to achieve the design that I have envisioned in the limited time I am allocated, although sometimes this forces you down a new route and you stumble across or develop something that you hadn’t thought of before.

One costume that was quite a challenge was for the character of Myrcella which was featured in Season 5, it was a bias cut chiffon dress with a low cut back. The difficulty was, I was unsure as to how the embroidery that I had created separately on some fine silk crepeline would technically sit on the fabric when I stitched it to the dress, as I had created a fairly heavily beaded embroidery to apply to the costume, and I thought it may drag and cause unsightly puckers. Thankfully it turned out fine, which is just as well as there would have been no time to change it or start again with something different.

Lastly, what’s your favorite costume that you have done on the show so far?

That is a very difficult question to pick just one costume, as with each embroidery that  you work on you are continually developing, experimenting and trying to achieve the elusive vision in your mind, so you never feel you have quite done the best you could.

To mention a few, I do like the collars I created for Catelyn Stark and those for Lisa Arryn with their concentrated areas of rich embellishment using different beads, gemstones and fish scale sequins.

Another favorite is Cersei’s rust red kimono with the lion heads on each arm that have a 3 dimensional quality, as well as Daenerys’ dragonscale textures.

I also loved creating the Qarth beetles, moths and grasshoppers, rather than being just the stitches it was really about finding the right materials to create the creatures.

Maybe on the next season I will have a more defining favourite, but I doubt it. I am never completely happy with something I have just finished and always think how I could have improved it with more time, so I am always driven in the search of perfection in my work.

 

 

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Cosplay Conversation: Carrie Stier

Name: Carrie Stier
Location: Scales Mound IL (tiny town of 400 in NW Illinois)
Facebook: https://www.facebook.com/carrie.c.stier
Cosplay Affiliations: Midwesteros Game of Thrones Cosplay Group, Age of Geeks, Legends of the West Cosplay group.
Tell us about your cosplay. What was your inspiration?/why did you choose this character?
Lady Olenna was my first cosplay character. She is a character that is age appropriate for me, her costume is something I felt comfortable in and I can identify with her temperament.
For Night King, I wanted to try something completely different from my “safe” choice of Lady Olenna.
How long did it take to make your Cosplay?
Lady Olenna – My first version was really only some items picked up from the local GoodWill (old prom dress, crinoline to make the skirt full and an appropriate woman’s jacket). I made the hat and the wimple myself from fabric, glue and a sturdy cardboard ovalbox purchased at a craft store. As I continued to find other pieces for the costume, I began to make alterations on already made items I found at Goodwill.
The Night King – This was my first costume that required a lot of sewing. (We will share some instructions that she wrote up on how she made this costume in a later post.)

 

What was your biggest challenge?
The Nights King required a mix of sewing and crafting skills. A challenge for all costumes is to make it easy to transport, easy to move around in
and get on and off.
What was your budget? Approximately how much did you spend?
Lady Olenna: The original outfit cost under $40. I have since purchased va
rious dresses and coats in different colors (depending on the Queen of Thorns mood) and have made 4
hats/wimples to match.
The Nights King: The material for the leggings/skirt was from an old paint drop cloth so it cost nothing. I probably spent $200 on the top trying out various materials and techniques to get the look I wanted.
What special techniques did you use?
I used grommets and rivets that I had no previous experience with. Getting the foam details to adhere to the under shirt of leather
was a challenge. I finally found a glue specific to leather that worked, but isn’t perfect.
What was the most satisfying about making this Cosplay/What made you proud?
My personal cosplay goal is to repurpose as much as possible and get items as in-expensive as you can (GoodWill/thrift stores). I thought the skirt of the Nights King turned out pretty well considering it was my first time sewing a garment since HS and without a pattern. (I have sewed quilt block, but that is different)
If you had to remake this Cosplay, what would you do differently?
Figure out a different way to make the top part to the Nights King. It was difficult to get on/off and move around in.
About Cosplay in general:
How often do you Cosplay?
Maybe 4 or 5 times a year.
How many cosplays do you do?
5 costumes currently working on 3 more
What do you want to make next?
Just got done making a western themed Calamity Jane costume and working on a Mary Poppins/Yondu mash up.
Favorite cosplay moment?
Being chosen to participate on a panel at C2E2 and getting to go backstage at the C2E2 Grand Championship Cosplay contest.
Favorite fandoms to follow?
While I am a fan of GoT and some other shows, I wouldn’t really say I follow any “fandom”. Too busy crafting that next costume!
What sewing machine do you sew on?
Singer and a Husqvarna Huskylock 910
What materials do you like using?
Eva foam is fun and easy.
What materials do you want to try?
I have worked a bit with Worbla and would like to do more.

 

What materials do you wish were easier to work with?
Thermoplastic pellets. They are easy to melt but get solid very quickly and it can be a challenge to shape the way you want.
What techniques are you dying to learn?
Ohhh…so many. Painting and shading, making
things with worbla.
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Game of Thrones Special Cosplay Week

Can you feel it in the air? The feeling that something is coming? We can too…

 

Announcing an entire week dedication to GoT cosplay in anticipation of the premiere of Game of Thrones season 7!  We will be sharing fantastic cosplayers, a pattern roundup, pattern review and a SPECIAL GUEST that we just can’t wait to… well, you will see soon enough!

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Cosplay Conversation: Timothy Harrison of HDC Cosplay and Fabrication

Tell us about yourself:

Name: Tim Harrison of HDC Cosplay and Fabrication.

Location: Chicago, IL.

Instagram: @HDCCosplay

Facebook: HDC Cosplay

About this specific Cosplay:

Tell us about your cosplay. What was your inspiration?/why did you choose this character?

This costume is based off a Smuggler from the Star Wars: The Old Republic video game.  I chose to do this because I love the smuggler/bounty hunter aesthetic from the Old Republic era and it was a relatively quick costume to throw together having a lot of the items in the closet already. I also have been working on a Han Solo but that wasn’t ready for Star Wars Day so I decided to put a generic smuggler together.

How long did it take to make your Cosplay?

This didn’t take too long to put together because it was primarily a closet cosplay. The things that took the most time were the belt and the blasters. Both items are modified Han Solo prototypes I’ve been working on for a Rebel Legion certified Han.

What was your biggest challenge?

The biggest challenge with this was getting clean casts for the guns. This was my most extensive mold and cast project to date. There was a little bit of a learning curve with this two part mold, but it gave me the opportunity to not only learn, but also make some custom dl-44’s.

 

What was your budget? Approximately how much did you spend?

Not too much was spent on this with it being a closet cosplay. Also, a lot of the work was prep work for commissions so it was a lot of prep work for a few builds. With resin and leather and a few other miscellaneous items, a couple hundred was probably spent on this.

What special techniques did you use?

There was a bit of sculpting, mold work and resin casting, painting, leather work, and some minor metal work involved in this costume.

What was the most satisfying about making this Cosplay/What made you proud?

The most satisfying part of this was the belt and the custom dl-44, I think. I felt like one of the classic star wars prop makers just finding items to add to the blaster to make it stand out. They took a lot of random items and added them to things to give the props that classic look. It was interesting to do the same.

If you had to remake this Cosplay, what would you do differently?

I didn’t have time to repaint the goggles and make a new strap for them. I’d also like to do a different a different hat and a more detailed vest. With the time it came together though, I’m happy with the results.

About Cosplay in general:

How often do you Cosplay? 

Depending on the events going on, probably once a month or more you’ll find me in costume somewhere.

How many cosplay do you do?

I do quite a few and the list keeps on getting larger.

What do you want to make next?

I think I want to work on finish my Rebel Legion approved Han next. Then my screen accurate Torbjorn form Overwatch for competition season next year. My Fallout garb needs a revamp too.   It’s tough to make a decision 😊

Favorite cosplay moment? 

My favorite moment so far is when I did my original take on the Final Fantasy Black Mage and wandering around the con and seeing big Final Fantasy fans light up with excitement when this classic character that they love and grew up with comes around the corner. It’s the moments of being able to bring these classic characters to life and the fans sharing your excitement. Those moments are what makes the work worth it for me.

Favorite fandoms to follow?

My favorite fandoms right now are probably Fallout and Overwatch, Star Wars as well. Star Wars is a long-time love but the thought and backstory that Bethesda and Blizzard put in to their franchises makes prop making and costuming from those respective universes all the more enjoyable.

What materials do you like using?

I love working with closed cell foam. Foam is just so cheap to work with and versatile. I also love electronics. Adding practical effects to props always adds so much, be it leds, electroluminescence, smoke, sound effects, it’s that extra little step to bring the character to life.

What materials do you want to try?

I want to play with Sintra and also Vacuum forming. Lots of different things out there but I think those would be my next two choices.

What materials do you wish were easier to work with?

Easier to work with.. hmmm… Some other the more extensive sealants/coats for foam and prop finishing can be a bit of a pain. Smooth-On Epsilon provides a great finish to work with but with larger props, you’re fighting pot life to get a nice coat on the prop and then if there isn’t enough, you need to mix up more and then keep on coating.

What techniques are you dying to learn?

I would like to do more 3d modeling and cold casting. More cold casting to get that nice metallic look without having the weight or trouble of working with actual metals.

 

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